Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Roman Beggar Woman oil


Roman Beggar Woman
Painting ID::  854
Roman Beggar Woman
1857 100.25 x 75.25cm City Museum & Art Gallery, Birmingham
   
   
     

Edgar Degas A Woman Having her Hair Combed oil


A Woman Having her Hair Combed
Painting ID::  855
A Woman Having her Hair Combed
1886-88
1886-88
   
   
     

Edgar Degas Three Women Combing their Hair oil


Three Women Combing their Hair
Painting ID::  856
Three Women Combing their Hair
1875-76 13.5" x 18.5" Phillips Collection, Washington DC
   
   
     

Edgar Degas Seated Woman Combing her Hair oil


Seated Woman Combing her Hair
Painting ID::  857
Seated Woman Combing her Hair
1887-89
1887-89
   
   
     

Edgar Degas Woman Combing her Hair_d oil


Woman Combing her Hair_d
Painting ID::  858
Woman Combing her Hair_d
c. 1886 Pastel on cardboard 21 x 20 1/2 in. (53 x 52 cm) Hermitage, St Petersburg
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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